A Bridge from too far

An appreciation of a new album from long ago. Mysteries of ancient wonder. Endless plains, open roads. Sleepy mornings, strange days, wakeful nights. Ends that are beginnings and starts that never end. Secrets of smiles. Devotion in disguise. Vows kept and broken. Lips cut and closed. Potent poetry and plucking brilliant playing.

Reviving Deadlines

The most extraordinary aspect of the Deadlines album is the cover. It's not the arresting image that makes it exceptional, but the fact that the action depicted in the picture is not artificially composed. It really is a shot of a man in a telephone kiosk filled with water. The booth was a specially strengthened … Continue reading Reviving Deadlines

Guttering

Dave Cousins and I disagreed over the worthiness of the Strawbs album Nomadness (see my earlier post Rehanging the Gallery), but I think we would be in harmony regarding Burning for You. He says in his autobiography “'Burning for You' is my least favourite Strawbs album.”1 It is my least favourite too, at least of … Continue reading Guttering

Deep Cuts and shallow scars

The previous three pressings had an autumnal or winter feel to them. This album always sounds like summer, even when the song is a tragic or sad one, or even about the prospect of a hard, hard winter. Many of the tracks were written quickly during the warmer months of what in the UK was … Continue reading Deep Cuts and shallow scars

Rehanging the Gallery

A wander through Nomadness When I told singer-songwriter Dave Cousins that Nomadness was one of my favourite albums he cringed. It had been recorded at a difficult time. The Strawbs' popularity was waning, even on the far side of the Atlantic where it had recently burgeoned. They had parted company with keyboard player John Hawken … Continue reading Rehanging the Gallery